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option seemed to be a better choice for both Bonami Biennale , both due to Bonami's qualities as a curator and advantage in presenting a single , well reasoned , wide statement . In his catalogue essay Bonami speaks in contradictions and ambiguities . Nevertheless , it appears the " polyphony of voices" only subverted his message , than enhancing it . If Bonami tried to avoid a "hegemonic : perspective , then some of the shows organized by curators , founded on distinctions such as "Arab images "African images , " re-produced an archaic exclusion of , a Paola Pivi , Untitled , 2003 . Ink jet print on PVC . Courtesy Galleria Massimo De CarloMilan  To the book
טרמינל, כתב עת לאמנות המאה ה-21

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