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Partners B . 1972 1998 Graduated of Photography of Arts and Lives and with of the space is a large desk in her own home , the figures' degree of printer , a small video camera , exposure being in direct relation to the the wall at the far end of the interaction formed during the encounter . duplication of the computer screen In fact , within the framework of these wall - an alternating exchange , encounters , Heiman mimics familiar human monkey looking for meaning dynamics . She plays hackneyed roles , , reproducing worn-out stereotypes . However , depicting pairs of people in the human dynamics rendered are restricted all is one particular recurring to a given timeframe , to anonymous figures , to a covert emphasis on the elements of Heiman will stay in the space randomality , drama and daring on the part 8 p . m . ; she will sit in the of the various participants in the  To the book
טרמינל, כתב עת לאמנות המאה ה-21

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