ביבליוגרפיה

] 192 [ מ ו ו ת 4 2 פ ע מ י ם ב ש נ י י ה “Neurosis, Psychosis, Perversion”, Camera Obscura , 3 - 4 ( Summer , —— . ) 1979 “The Pensive Spectator”, Wide Angle , IX / 1 ( 1987 ) . , —— “‘…rait’, signe d’utopie”, in “Roland Barthes après Roland Barthes”, , —— Rue Descartes , 34 ( December 2001 ) . “The Film Stilled”, Camera Obscura , 24 ( September 1990 ) . , —— Benveniste, Emile, Problems in General Linguistics , Coral Gables, FL, . 1971 Bruno, Giuliana, Streetwalking on a Ruined Map : Cultural Theory in the City Films of Elvira Notari , Princeton, NJ, 1993 . Burgin, Victor, The Remembered Film , London, 2004 . Christie, Ian, The Last Machine : Early Cinema and the Birth of the Modern World , London, 1985 . Crary, Jonathan, Techniques of the Observer , Cambridge, MA, 1990 . Deleuze, Gilles, Cinema 1 : The Movement - Image , Minneapolis, MN, . 1986 Cinema 2 : The Time - Image , London, 1989 . , —— Doane, Mary Ann, “The Close - up : Scale and Detail in the Cinema”, Differences : A Journal...  To the book